s q u i d s o u p . o r g


art, research, play and immersive experience

FILE PRIX LUX nomination!

We’re very excited that Ocean of Light has been nominated for Brazil’s FILE PRIX LUX for Interactive Art. It’s an impressive list, with many high profile and excellent projects from across the globe. We would love your support! If you can, please vote for us.

Go here, select PAGE 4, then choose Ocean of Light and follow the instructions.

Ocean of Light

We have been working on a new project, Ocean of Light, that seeks out the immersive and affective possibilities of light-based visualisations in three physical dimensions – a recurring theme in our work. The aim this time is that the piece is large enough to be considered an environment rather than an object – a room filled with countless points of light, each one contributing to a dynamic space that surrounds and envelops you.

The hardware uses re-configured video-wall technology to create a walk-through 3D grid of LEDs. The first piece to be shown on the grid (to be premiered at KINETICA Art Fair, February 5-7 2010), combines abstract volumetric visuals with spatialised sound, to suggest an ecosystem of audiovisual entities that inhabit physical space. Visible and audible as they encircle and fly around the room, they dance with each other and together create what is both a fully three dimensional audiovisual environment and a musical composition.


The work continues several themes in our work. We started exploring spatialised musical composition in 1999 with Altzero. The compositions became dynamic and agent-based in Driftnet/Fly like a bird. Visualisation in 3D has been used in several projects, using a range of techniques from classic red/cyan glasses to view real time anaglyphic projections (Come Closer, Driftnet, and a version of Ghosts), experiments with autostereoscopy, projection onto 3D objects, and most recently moving our work into physical 3D space. See also The Stealth Project and Discontinuum (projects using visualisation techniques in three physical dimensions using NOVA, a 3D LED grid built by ETHZ).

More images here

Energy lines (2005)

A blast from the past…

Realtime interactive animation of walking underneath a high voltage pylon. The sound is created by four sinewaves, each which has a pitch determined by the distance between the viewer and each of the four feet of the pylon, creating a constantly shifting phase pattern (you probably need headphones or a subwoofer to hear this).

Both sound and visuals are ’embellished’ with compression artefacts – the sound really is just four soundwaves, and the background of the visuals is a smoothely changing plain colour – both difficult to reproduce with compression.